February 2013, Studio 2, DR Koncerthuset, Copenhagen DACAPO 6.220639 SACD [64:32] Adam Fischer’s Mozart symphony cycle concludes with the last symphonies, and it does so in terrific style. Then there is Angelika Kirschlager’s Cherubino, alive and urgent in ‘Non so più’, every little phrase neatly moulded. 39-41 – Jordi Savall Tal Agam - June 20, 2019 August 16, 2020 These performances, titled “Le Testament Symphonique”, mark the return of Jordi Savall and his period group “Le Concert des Nations” to Mozart , after memorable versions of … The best recording of each. Extend such thoughtful, profound probity to the whole set and you have interpretations where within the letter critically observed, a numinous potency breaks free. The Count of Simon Keenlyside is powerful, menacing, lean and dark in tone. 41 in C Major, or the Jupiter Symphony. Fortunately, Pentatone do live recordings as well or better than anybody, so it's not a total loss; and if you enjoy live recordings, you'll love this one. Wolfgang Amadeus Mozart completed his Symphony No. 40 and 41 merit comparison with the best. A swirling sea of melody pervades the opening Allegro vivace of Symphony No. Mozart was an operatic composer, in my opinion, and the real drama of his music comes out best in the 45 symphony box set that Fischer conducted. Bruno Walter's Columbia recording with the Philharmonic-Symphony Orchestra of New York of symphony 41 has been a favorite since the fifties. So often the tiniest detail – the weight of a chord, the length of a silence, the linking curve of a phrase, the parting of the inner voices of the strings – stage-manages the drama more shrewdly than a good many theatre directors ever do...' Read the review, Sols; Arnold Schoenberg Choir, Mahler Chamber Orchestra / Claudio Abbado, 'Had this new set been to hand when I discussed all versions of Die Zauberflöte in January, it would have been high on my list of recommendations. MOZART Symphonies Nos. Reiner recorded 35,36,39,40 and 41 with the CSO. The work is nicknamed the Jupiter Symphony, likely coined by the impresario Johann Peter Salomon. 41," on the May 1 concert, and both the Bartok "Piano Concerto No. 38; Symphony No. Best recordings of Mozart's late symphonies? If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. “To do good whenever one can, to love liberty above all else, never to deny the truth, even though it be before the throne.” - Ludwig van Beethoven. Molto allegro 11:30 6,30 € Buy. | The sound of this recording brings the musicians into your listening space. Profil PH05047. 39 generally, as it does here, stands for sonority and warmth, often also for a kind of ceremonial stateliness. 5; Recommended recording: BBC National Orchestra of Wales/Mark Wigglesworth BIS-CD-973/974 Buy from Amazon; Buy from Presto Music; The 20 Greatest Conductors of all time; 16) Beethoven – Symphony No. The HD-Audio surround mixes immerse you in the musical interplay with full range frequency response and dynamics. Wolfgang Amadeus Mozart, The London Philharmonic Orchestra, Alfred Scholz, Camerata Labacensis, Alexander von Pitamic - Symphonie Nr. Unfortunately, it appears to be marketing hype, coined by the same chap who promoted Haydn concerts in England, one Johann Peter Salomon. Symphony No. Find many great new & used options and get the best deals for Mozart: Symphony Nos. A much-mistreated piece emerges in a different light. 41 in C (‘Jupiter’) First of all, the nickname. That said, its characteristics are rather nearer my period-performance choice, Christie’s 1995 set...' Read the review. Walter Berry’s Don Alfonso is characterful and Hanny Steffek is quite superb as Despina. Mozart’s 31st Symphony in D Major was written not long after he moved to Paris in 1778, and was premiered that same year. Previously Wolfgang’s letters to … From the depth and precision of the opening chords to the fugitive spirit of dance which no one else quite captures, the Philharmonia under Giulini become a second cast on their own. The current date and time is, Mozart: Symphony #41 in C, K. 551 "Jupiter", the Talk Classical community's favorite and most highly recommended works, F. Magle - Contemporary Classical Composer, Organist and Pianist. Momentous Mozart...' Read the review, 'Purely on grounds of performance alone, this is one of the finest Mozart Requiems of recent years. In the finale, he superimposes five themes from the movement in a jaw-dropping tour de force. 41 in C [34:44] Danish National Chamber Orchestra/Adam Fischer These last three symphonies, all completed in the summer of 1788, are not only his most famous symphonies but some of… This is the instrument for which the work was originally composed, although only a text adapted to the normal clarinet has come down to us. I have, for a long time, felt "cool" about the 41st, liking the 39th very much and believing the 40th to be Mozart's best Symphony of the entire canon. Give and take between orchestral sections seems conversational, and the busy, remarkable fugue that closes the “Jupiter” is so clear that it might well be the finale of the second act of Figaro. He has taken 25 first prizes in national and international competitions and in 1999 was awarded the special “Mozart Prize” at the Cleveland International Piano Competition, given for the best performance of a composition by Mozart. W.A. 50+ videos Play all Mix - Mozart Symphony 40 & 41 - Full Recording HQ | K550 K551 YouTube; The Best of Mozart - Duration: 4:15:01. 40 in G minor [29:48] Symphony No. Clear but velvety ringing tone, perfect voicing of chords, unsleeping alertness to the necessary subtleties of rubato and line, and above all an ability to realise this music’s intimate poetry that can make you catch your breath, make these performances the kind that any musician should listen to and learn from...' Read the review, Sols; Philharmonia Chorus and Orchestra / Karl Böhm, 'Karl Böhm’s cast could hardly be bettered, even in one’s dreams. Of his 50-odd symphonies, produced between 1764 and 1788, the earliest ones are conventional but precocious, reflecting influences of Johann Christian Bach, Giovanni Battista Sammartini, and Joseph Haydn. . Symphony No. Please Subscribe to our New channel @PAINTED. I guess it is OK, the first movement is too repetitive though, The first movement is a challenge to the performer! All times are GMT +1. John Butt brings to Mozart the microscopic care and musicological acumen that have made his Bach and Handel recordings so thought-provoking and satisfying....' Read the review, 'The cast is excellent. 41 in C major, K. 551 ‘Jupiter’: IV. Wolfgang Amadeus MOZART (1756–1791) Symphony No. Mozart: Symphonies Nos. The pacing of this endlessly intriguing work is measured with immaculate judgement. Mozart – Symphony 26. The best recordings of Shostakovich’s Symphony No. An invigorating first movement predominates, followed by a … This brings a big dose of nervous energy to the first movement and minuet of Symphony No. The laughter in Patrizia Ciofi’s voice is delightful when she is dressing up Cherubino, and she has space in ‘Deh vieni’ for a touchingly expressive performance. Mozart’s piano concertos are often spoken of as being operatic; indeed, with Jacobs at the helm of these symphonies, much the same might be said. 40, and specifically in the famous first movement, on the other hand, drama and rococo elegance are mixed. No.41 in C is probably his brightest and most complex symphony. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. 39 in E flat [28:55] Danish National Chamber Orchestra/Adam Fischer rec. 41. I spent a lot of time exploring this music about 10 years ago and one I remember really thinking made a good job in the first movement was by Klemperer, the one here. Gramophone is part of 41 in C major, K. 551 ‘Jupiter’: III. 97 and Mozart’s Jupiter Symphony (No. The quartet has been acclaimed as “one of the country’s best young string quartets” by the Boston Globe. 41 in C major, K. 551, on 10 August 1788. 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